Author Topic: Comparing his "Here Comes the Judge" to Pigmeat Markham's  (Read 2327 times)

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Comparing his "Here Comes the Judge" to Pigmeat Markham's
« on: September 26, 2020, 10:52:46 pm »
I assume that both songs were inspired by the TV show Laugh In, but in 1968 they were competing against each other for airplay. Shorty's was the more "serious" of the two and was intended I suppose as a danceable record. Pigmeat's on the other hand was a comedy routine. For that reason both were enjoyable because of their totally different takes on the concept. What do you guys think?

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According to Wikipedia's fascinating piece on Pigmeat Markham, the comedian originated the Here Comes The Judge routine as part of his successful stage act. Wikipedia notes:-

'Markham's most famous routine was "discovered" by the general public only after Sammy Davis, Jr. had performed it as a guest on the March 25, 1968 episode of Laugh-In. Due to the years of racial segregation in the entertainment world, he was not widely known by white audiences, and had almost exclusively performed on the "Chitlin' Circuit" of vaudeville, theatres, and night clubs and appeared in several race films, including William D. Alexander's 1949 revue film Burlesque in Harlem, which documented the Chitlin' Circuit.

'The phenomenal ripple effect of Davis's version of "the judge" led to Markham's opportunity to perform his signature Judge character himself as a Laugh-In regular during the 1968–69 television season.

'Thanks to his Heyeah come da judge routine, which originally was accompanied by music with a funky beat, Pigmeat Markham is regarded as a forerunner of rap. His song "Here Comes the Judge" peaked at number 19 on the Billboard and other charts in 1968. He published an autobiography, Here Come the Judge!, in the wake of his Laugh-In success.'

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Shorty's fab song was built on a strong Funk Brothers rhythm, with expert assistance from Sammy Davis Jr. and the Spinners, it was bound to be a hit. It is surprising that the instrumental version wasn't stuck on the B-side.

SWI

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I love them both. One is soul & the other is comedy. Pigmeat reached #19 and Shorty #30 in the UK.




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It's Shorty all the way for me, the Pigmeat Markham record has always been much too "novelty" for me.

Does any one else here see a glaring similarity between Mr Markham's tune and any number of '80s "Rap" releases … :)

Roger

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Well it's supposed to be an early example of rap but I don't agree.

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I'm with Roger on that.

I love Shorty's Here Comes The Judge album

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No contest. Shorty’s version for me will always be the go to version.

I remember in the days when I followed the UK chart progress of all Motown 45’s how disgruntled I was when Shorty’s version stalled at number 30 and Pigmeat Markham’s whizzed past.

Novelty songs tend to lose their freshness and become tiresome after the first few hearings.